Mandrake (Mondes Mystérieux) 81: Difference between revisions
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*"Les bandits en cagoule" ("[[Gli incappucciati (Spada)|Gli incappucciati]]") by unknown writer and [[Salvatore Stizza]]. | *"Les bandits en cagoule" ("[[Gli incappucciati (Spada)|Gli incappucciati]]") by unknown writer and [[Salvatore Stizza]]. | ||
=== Note === | |||
*The French title has been uncorrectly translated from Italian, the correct word being "cagoule" and not "Gagoule".In French, the word "cagoule" means "Cowl" (a covering for head and shoulders, hiding a large part of the face). | |||
*In fact, the French Remparts version was firstly translated by Spada in Rome and sent after in Lyon, France, where the Remparts editions were established. By this process, the Italian editor could kept more views on its own material.Some mistakes could also remain in the text of the stories but the French editor didn't correct them as printing was also already made in Italy and it would need too much cost to modify them. Sometimes there is also a small difference between the title on the cover and the story title inside the issue... | |||
[[Category:Mandrake (Mondes Mystérieux) issues|Mandrake (Mondes Mystérieux) 081]] | [[Category:Mandrake (Mondes Mystérieux) issues|Mandrake (Mondes Mystérieux) 081]] | ||
Latest revision as of 11:49, 17 July 2012
| Mandrake #81 | |
 Cover artist: Mario Caria | |
| Country/language: |  France / French
|
|---|---|
| Format: | 15 cm × 21 cm |
| Pages: | 36 pgs, color |
| Publishing date: | April, 1966 |
| Editor: | unknown |
| Publishing company: | Editions des Remparts |
| Preceded by: | Mandrake #80 |
| Followed by: | Mandrake #82 |
Mandrake #81.
Contents
Mandrake stories
- "Les bandits en cagoule" ("Gli incappucciati") by unknown writer and Salvatore Stizza.
Note
- The French title has been uncorrectly translated from Italian, the correct word being "cagoule" and not "Gagoule".In French, the word "cagoule" means "Cowl" (a covering for head and shoulders, hiding a large part of the face).
- In fact, the French Remparts version was firstly translated by Spada in Rome and sent after in Lyon, France, where the Remparts editions were established. By this process, the Italian editor could kept more views on its own material.Some mistakes could also remain in the text of the stories but the French editor didn't correct them as printing was also already made in Italy and it would need too much cost to modify them. Sometimes there is also a small difference between the title on the cover and the story title inside the issue...